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01/22/2019
Ainsley Hume
No Subjects

This week featuring film remakes I decided to watch the original Scarface (1932) [IMC DVD 364.106 S285 1932] and the 1983 remake [IMC DVD 364.106 S285 2003]. This was fun because it was surprising when similarities came up—otherwise they felt like very different movies.

The original movie Scarface is based on the book by Armitage Trail. It takes place in Chicago in the 1920s and focuses on Antonio “Tony” Camonte who works for an Italian mafioso Johnny Lovo. Tony is ordered to kill the leading mob boss in the South Side, which allows Johnny to take over control of that part of town. Tony is told not to interfere with the North side, but soon ignores this as his aspirations grow out of control. Tony also begins to pursue Johnny’s girlfriend Poppy, who later choses him over Johnny when Tony’s reputation has grown. Things begin to spiral out of control for Tony—killing his best friend when he finds him with his sister Francesca. The police eventually corner Tony in his apartment, and his sister is killed in the cross-fire. Paul Muni did a wonderful job playing Tony, who has a mix of charisma and bull-headedness that you can’t help but smile at. There are several funny parts as well, which help to offset the remarkable violence that the whole film is imbued with. It is especially amazing that there is so much violence, because this was the period in film history where films were being censored under the Hays Code. One such change that the producers were forced to change was the ending; however, the DVD we own has both endings so you can watch yourself and see the difference.

The remake Scarface is different in many big ways. The main character is Tony Montana and he begins his mafia lifestyle in Miami in the 1980s. We first see Tony with a group of friends who are given green cards in exchange for murdering a Cuban general on the orders of drug dealer Frank Lopez. Frank’s associate, Omar, gives Tony and his friends a job to purchase cocaine from Colombia dealers, but things go horribly wrong. One friend is brutually murdered, while the rest are able to kill the Colombians and rescue Tony. Tony brings the drugs and money to Frank personally, where he meets Frank’s wife, Elvira. Tony eventually rises in Frank’s group, and makes deals without Frank’s knowledge with other cocaine drug dealers. Tony also begins to pursue Frank’s wife and eventually marries her. Several years later however, we see Tony dissatisfied with his lifestyle and has frequent paranoia. Elvira eventually leaves him and a cocaine dealer sends men after him, with the movie ending in its iconic gun scene from Tony’s house. 

There are several similarities in these movies, even though the plots are different. Most of these similarities are focused on Tony’s relationships; for example, his relationship with his sister and mother are extremely similar between the two movies. His sister eventually marries his right hand man, who gets killed by Tony in both movies. Tony pursues his boss’s girl and eventually wins her, although the end of this relationship in the remake is far more violent than in the original. Finally, Tony’s relationship with his boss is similar as well—the boss originally likes him, then when Tony begins to infringe on his territory, he sends assassins (in both movies) to kill Tony. Tony escapes, and eventually kills his boss as a result.

If you have seen both movies (or even one!), feel free to tweet us @FHGLibrary with thoughts and/or comments. Don’t forget to come to the IMC to check out our new DVD display featuring Remakes and continue on your own film travelogue journey at https://letterboxd.com/peterstanley/list/1001-movies-you-must-see-before-you-die .

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01/14/2019
Christian Sammartino
No Subjects

Legacies with true power and meaning make monuments that live within each of us in the form of the stories we carry. That type of legacy has deeper roots than physical monuments because it is not tied to one location. Instead, such a legacy has the opportunity to live within us and influence us for generations. I witnessed this idea in action when we celebrated the second annual Dapper Depte Day on October 26. That day was the fulfillment of a library proclamation made by Dean of University Libraries Mary Page last October to annually celebrate Corinthian’s service to our campus community. This day of celebration was our promise to remember how Corinthian put others first and how he was an ambassador to so many of you in our campus community. A year to the day Corinthian Depte retired from his position as a Library Assistant, everyone who met him seems to have a story to share. Corinthian’s name is synonymous with kindness, friendship, and selfless service toward others.

Corinthian behind the Library Help Desk in FHG Library.

 “He was so wonderful when the lottery was getting really big – he always made sure to get everyone in on buying a big group ticket; he would even put his own money in for you if you didn’t have it that day,” Interlibrary Loan Technician Jenn O’Leary said. “Then we would sit in our office and talk about what we would do with the money if we won.”

 

Corinthian was also generous with his time and his wisdom. Shortly after I joined University Libraries as a Library Assistant 1, I told Corinthian I was getting married. He was genuinely joyful for me and wished Kelsey and me many years of health and happiness. Corinthian also took the time to give me advice on how to be a loving partner. Corinthian has been married to his wife Marvine for over five decades and wanted to share their life lessons with me. He encouraged me to reach out any time I needed advice or guidance.
 

Dapper Depte Day was also a special occasion because we created a new tradition based on Corinthian’s compassionate service to our community. Dean Page and Associate Dean of University Libraries Amy Ward presented the first annual Corinthian Depte Golden Bowtie recognition. This acknowledgment honors an employee who serves all of you in our WCU community with the same selflessness, dedication, and compassion that Corinthian did for over three decades. Jenn O’Leary was the first to receive this new recognition.


 

“It is such an honor and such a high compliment to be compared to Corinthian because he is such a good, kind person and was so dedicated to his job here at the Library,” Jenn said. “He always had a smile on his face and treated every single person with such kindness. Everyone who interacted with him remembered how he treated them. He wanted to help people; it was never an inconvenience. He got such joy from getting to know the students and from helping everyone around him here at the Library.”

Jenn brings a constant attitude of kindness and compassion to the library, which never fades, even when circumstances are difficult. Jenn also brings an infectious joy and positivity to the library, which never fails to uplift those she meets. She genuinely loves helping people, which shows in the way she guides you through the Interlibrary Loan Borrowing process. She is always willing to meet with you and answer any of your questions. Jenn helps make that process understandable and less intimidating. I have seen students, who were panicked about getting a book they needed, leave her office with a sense of calm and confidence. Jenn helps connect you with what you need and helps people feel at home here at University Libraries.


“My dad has always been an incredibly positive and optimistic person and we always try to look at the glass as half full, not empty,” Jenn said. “Life’s too short to be negative; there’s so much to be grateful for. It’s been ingrained in me. In terms of compassion, you always have to try to put yourself in the other person’s shoes.”


What was so profound about Dapper Depte Day is the statement it made about how we choose to impact the lives of others in our community. That University Libraries is the kind organization that sees, celebrates, and cherishes the value in every member of our community. Corinthian and Jenn’s examples lovingly invite us to be present with others in a way that goes beyond simple transactional interactions. Their examples encourages us to look for ways we can make the lives of everyone who walks into University Libraries better. Simply put, people like Corinthian and Jenn compel us to be golden.

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01/11/2019
Christian Sammartino
No Subjects

Music lovers can now choose to pickup ILLiad materials at the Presser Music Library!

You can elect this service in 2 ways:

1. By going into your ILLiad account and clicking on, “change user information”. This is located under TOOLS (left hand side near the bottom). In the field, “Campus Affiliation”, simply choose Presser Music Library.

2. New Users will select, Presser Music Library, under “campus affiliation” when registering for a new account.

3. **This does not include EZ-Borrow books, just ILLiad**

If anyone has any issues choosing this option, feel free to call Interlibrary Loan at 610-436-2380 for help. 

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01/08/2019
Ainsley Hume
No Subjects

For the next couple of weeks, I am going to be writing posts discussing various film remakes. The IMC is hosting a display right now featuring film remakes which is very interesting to me. There happen to be several of these films or remakes on my list, so it is also an excellent opportunity for discussion. This week I’ll be talking about the original Dracula (1931) [IMC DVD 791.4367 D757 2006], directed by Tod Browning (which I discussed in a blog post on August 2nd 2018) and comparing it to the Bram Stoker’s Dracula remake [IMC DVD 791.4367 B815 2007], directed by Francis Ford Coppola in 1992.

As a quick recap on the original Dracula, this version was actually based on the 1924 play written by Hamilton Deane and John L. Balderston, who based their play loosely on the original novel Dracula by Bram Stoker. In this version, we are given the backstory of Renfield’s trip to Transylvania and his descent into madness as a result of his interaction with Count Dracula. We then see Dracula in London, where he meets Mina, John Harker, and Lucy. Lucy is attacked that night by Dracula, and shortly after dies. Mina is also bitten, and later attacks Harker, her fiancée, but he is saved by Van Helsing. Things are eventually solved when Van Helsing and Harker hunt for Dracula and kill him, which restores Mina to her original self.

The remake of Dracula, titled Bram Stoker’s Dracula, follows the book much more closely which I appreciated. The screenplay is written in much the same manner as the book, with journal entries from Jonathan Harker and Mina. However, the beginning of the novel illustrates Dracula’s life in 1462 before he became a vampire. I don’t remember the backstory from the novel, but I could be mistaken. Our next scene is Jonathan Harker traveling to Transylvania to take over Dracula’s case from Renfield, who has gone insane. The part that follows very closely matched the book: Harker arrives and becomes a prisoner in Dracula’s home while Dracula himself leaves to go to London to chase after Mina, who has an eerie resemblance to his wife in his previous life. Mina begins to have a fascination with him as well, and soon begins to waver between Harker and Dracula in her affections. The movie ends with a chase ending in Transylvania to try to kill Dracula. He is killed in the end, but Mina is by his side to give him final peace. To me, this was the most interesting part, how Mina continued to have a connection with him, even after she had reverted back to her former self with his death. Gary Oldman played Dracula and was absolutely wonderful. Anthony Hopkins as Van Helsing and Winona Ryder as Mina also played their parts very well, but Keanu Reeves as Jonathan Harker was slightly disappointing. This film ended up winning an Academy Award for Best Makeup and Hairstyling, but since it was made in 1992, it doesn’t seem to translate as well, given what prosthetics and makeup can do now.

Obviously these films are extremely different, in part because they are based on slightly different original screenplays, but more so because of when they were made. Browning’s Dracula is black and white, but Dracula himself is portrayed how most of us think of him: black cape with high collar, dark slicked-back hair, pale face. Coppola’s Dracula, on the other hand, is in color and makes more use of prosthetics and color/texture in costume and set design, red being a dominant color. Coppola’s version of Dracula also seems to incorporate more overly-sexual themes, while Browning’s version is much more classic seduction. I think I ended up preferring Browning’s version, but I did enjoy seeing a more accurate representation of Bram Stoker’s book adapted for film.

If you have seen both movies (or even one!), feel free to tweet us @FHGLibrary with thoughts and/or comments. Don’t forget to come to the IMC to check out our new DVD display featuring Remakes and continue on your own film travelogue journey at https://letterboxd.com/peterstanley/list/1001-movies-you-must-see-before-you-die .

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01/07/2019
Christian Sammartino
No Subjects

This morning the library launched a new authentication system called OpenAthens. It is a single sign-on authentication method for our electronic library resources. What does this mean? - All users (students, staff, faculty) will be prompted to log-in when using a library electronic resource from both on and off campus starting Monday, January 7th. This will be a soft-launch with full implementation for January 22nd, 2019.

 

  • Will there be problems?
    • We do not anticipate many problems or difficulties. Millersville and Kutztown have successfully implemented this service with a smooth transition.
       
  • What if I do encounter a problem?
    • Please report problems or difficulties accessing library resources to Kerry Walton [kwalton2@wcupa.edu | 610-436-3453].
       
  • Is there a new URL for resources?
    • In many cases, yes, there is a new URL or proxy prefix for resources. If you have resources linked in D2L or other locations, please get in touch with Kerry Walton for the new link.
       
  • Why are we changing?
    • Smoother log-in process that looks the same no matter where you are.
    • We will now have the ability to manage our e-resources directly with authentication which will assist with troubleshooting and prevent delays.
    • There is granular level usage data that is going to be extremely beneficial in assessing our e-resources.

Below you will find a an image of what you will see when logging in. Once you select WCU, you will be directed to WCU’s authentication log-in page.

 

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