A Dictionary for the Modern Pianist by
A Dictionary for the Modern Pianist combines nearly four hundred entries covering classical and popular pianists, noted teachers, terminology germane to the piano's construction, and major manufacturers--both familiar firms and outstanding, independent builders who have risen to the forefront in recent years. Speaking to the needs of the modern performer, it also includes entries on jazz and pop artists, digital pianos, and period instruments. As a resource for professionals and students, A Dictionary for the Modern Pianist is also accessible to more general readers, as all of its topics are presented in clear, readable expositions. Drawing on the most recent research of numerous specialists, author Stephen Siek emphasizes the piano's uniquely rich heritage, giving pianists a renewed appreciation for the famous artists and teachers who have shaped their art. Transcending simple alphabetical definitions, the dictionary's careful attention both to legacy and detail make it an invaluable addition to any pianist's library. Titles in the Dictionaries for the Modern Musician series offer novice and advanced musicians key information on the field of study and performance of a major instrument or instrument class. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. From quick definitions of confusing terms to in-depth overviews of history and tradition, the dictionaries are ideal references for students, professionals, and music lovers of all kinds.
The Early Pianoforte by
This is the first comprehensive historical and technological study of the pianoforte based on important primary source material. Most histories of the piano begin with its invention by Bartolomeo Cristofori in Florence in about 1700: this study begins with the earliest fifteenth- and sixteenth-century manuscript sources and extends over Cristofori's rediscovery of the principle of the hammer action, the early exportation of Florentine pianofortes to prominent European courts, and the building of copies of these instruments in Portugal, Spain and Germany. Technical information is presented in a comparative format and the text is illustrated with many photographs, measurements, line drawings and tables. While written primarily for the technical specialist, there is much here of significance for the history of the piano and performance practice.
Glenn Gould by 
Notes from the Pianist's Bench by
Boris Berman, Russian-trained concert pianist and respected teacher, here draws on his experience to explore issues of piano technique and music interpretation. He combines explanations and advice with anecdotes about his students, colleagues and former teachers.
Piano by 
The Piano by
First Published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
The Piano Book by 
Piano Pieces by
"Russell Sherman has been hailed as "that rarest of performers - a thinking man's virtuoso" (Chicago Tribune), and Piano Pieces is his scintillating excursion into the world of piano and its multiple spheres of affect and influence. From pithy reflections on tone, technique, and the thorny matter of thumbs, to ruminations on how such a machine could be the voice and repository of priceless human messages both lyrical and complex, Piano Pieces examines the current status of music, piano playing, and pedagogy through the noisy filter of contemporary culture." "How are the materials of piano music transferred to a younger generation raised in an environment so antagonistic to ideals, concentration, and aesthetic judgment? How are children encouraged to join lifelong crusades in behalf of beauty, compassion, and responsibility? How does a page of Mozart translate into a vision of kindness and courage?"--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Schumann piano music by 
Shall We Play That One Together? by
In a world dominated by men, Marian McPartland distinguished herself as one of the greatest jazz pianists of her age Born in the UK as Margaret Marian Turner, Marian McPartland learned to play classical piano, but was passionately attracted to the rhythms of American jazz. Entertaining troops in WWII Europe, she met her future husband, Jimmy McPartland, a cocky young trumpet player who was the protege of the great Bix Beiderbecke. They were married and, together, they made jazz history. At first, Marian played second fiddle to Jimmy in Chicago, but when they moved to New York, Marian and her trio took up residence at the famous Hickory House where she thrilled the crowds from her perch on a stage in the middle of large oval bar. From there she went on to triumphs at places like the Montreaux Jazz Festival. Possibly, her greatest accomplishment was the creation of NPR's long-running showPiano Jazz. More than the life story of one of our greatest artists,Shall We Play That One Together? by Paul de Barros chronicles an age when jazz was a vital art form. Just as inviting as Marian's signature question onPiano Jazz,Shall We Play That One Together? is an invitation to readers everywhere to listen to the score of a bygone age.
Twenty Lessons in Keyboard Choreography by
This unique book presents 'choreography' to pianists as a means of making a physical connection to musical feeling. The author has invented symbols designating finger, wrist and arm movements that will result in physical comfort and a sense of predictability and ease when performing for others.
Abby Whiteside on Piano Playing by
(Amadeus). Abby Whiteside (1881-1956) developed a revolutionary approach to piano technique, the idea of a "basic rhythm" involving the entire body that allows students to express the essential emotional rhythm of the music, as well as to play without the risk of the injuries that frequently afflict pianists. Her ideas on piano pedagogy remain essential today. HARDCOVER.